Weekly Sale

(n.p.), MCA Universal, (1990). 22" x 34" poster advertising the release of the videocassette of the 1989 movie based on the 1975 book by Ron Kovic. Folds in eighths to a promotional booklet entitled "He Was Strong/ He Was Proud." Slight wrinkle; near fine. [#030867] $60
$30

(Washington, D.C.), Survival International U.S.A., (1981-1982). The publication of the U.S. branch of Survival International. The first eight issues (one double issue, 7 items), as follows: Volume 1, Nos. 1-4; Volume 2, Nos. 1, 2, 3/4. Several issues folded for mailing, most evenly darkened; near fine to fine. Promotional brochure also included. [#018431] $95
$48

(Washington, D.C), (Department of State), (1966). An offprint from the Department of State Bulletin, a memorandum submitted to the Senate Committee on Foreign Relations, largely concentrating on the issue of whether Congressional approval, and a formal declaration of war, were necessary for U.S. troops to be committed to combat in Vietnam. 16 pages. Stamped "Library of Congress Surplus/Duplicate." Near fine in stapled wrappers. [#010070] $40
$20

(NY), Tibor de Nagy Editions, 1970. One of 300 copies. This copy is inscribed by Abish in 1982. A bit edge-sunned; near fine in wrappers. [#914700] $285
$185

Chapel Hill, Algonquin Books, 1998-2004. Ten issues: New Series Nos. 5, 6, 7, 8, 11, 12 14, 17, 18, and 20. "A small periodical about books, authors, and publishing, prepared from time to time for the friends of Algonquin and any others who might take joy in it." Stapled wrappers. All issues near fine or better. [#035792] $50
$25

Buenos Aires, Goyanarte, (1956). A novel based on the US-backed overthrow of the Arbenz government in Guatemala in 1954 -- a Cold War-related move against a left-leaning nationalist government that did much to set the stage for the next three decades of tensions between the U.S. and the various Central American republics. Asturias, for his open criticism of Yanqui interventionism, was awarded the Lenin Peace Prize in 1966 -- the highest such honor conferred in the old U.S.S.R. The following year--in what may be construed as a battle for the hearts and minds of his constituency -- he was awarded the Nobel Prize for Literature, the West's highest international honor. A major novel by one of the most important writers of the postwar era, whose ability to integrate indigenous myths and social protest was a major accomplishment that helped shape the contemporary Latin American novel. Abrasions to front flyleaf and front cover; ink marks to three pages of text; some wear to top edge and creasing to spine; still a respectable copy in self-wraps. [#007850] $265
$172

Boston, Houghton Mifflin, 1980. Brooks was both Rachel's Carson's editor and biographer and a John Burroughs Medal winner (for Roadless Area). This book provides an overview of those for whom "the chief weapon [in the] fight to protect the American environment over the past century has been the pen," including Thoreau, John Burroughs, John Muir, William Beebe, Mary Austin, Aldo Leopold, Rachel Carson, and many others. Inscribed by Brooks: "For Joe -- Long-time friend and colleague, with much gratitude for your efforts on behalf of this & my other books./ Paul/ October, 1980." Light foxing to endpages and page edges; near fine in a near fine, faintly spine-sunned dust jacket. [#035672] SOLD

Santa Rosa, Black Sparrow, 2001. Two comb-bound advance copies: one shot from typescript and printed on rectos only, 298 pp.; the second copy is typeset and printed on both sides of the page, 355 pp. Laid into the first copy is an earlier version of one included poem: "oh to be young in 1942!," here titled just "oh, to be young!" The poem is two pages, the first being ribbon copy. Photocopied emendations to the table of contents in the first copy, removing the titles of poems not included; penciled notes to the table of contents in the second copy. The first one has the date "2/3" and the publisher's initials, "JM," on the cover; the second one is also initialed and is dated "4/11." Each is fine with an acetate cover. From the collection of John Martin, publisher of Black Sparrow Press, which printed most of Bukowski's work for the last nearly 30 years of his life, and which was in turn supported by the success Bukowski had with his poetry and his fiction, which rewrote the boundaries of what was acceptable as art. [#033372] $1,250
$938

London, Belmont Press, 2002. Of a total edition of 226, this is the "standard" issue, one of 100 numbered copies signed by Carey and by the illustrator, Eileen Hogan. Fine, without dust jacket, as issued. [#911433] $450
$293

Boston, Houghton Mifflin, 1972. A literary biography of Carson by Brooks, who was editor-in-chief at Houghton Mifflin during the publication of Carson's The Edge of the Sea and Silent Spring, and who became the guardian of Carson's adopted son after her death. The book also includes selections from Carson's own writing, both published and unpublished. Brooks himself was an important writer of natural history: his first book, Roadless Area, won the John Burroughs Medal. This copy is inscribed by Brooks: "For Lois/ with love from Paul." What follows is speculation: "Lois" could be a close personal friend, unknown to us, or someone connected to Carson and her work. There are three Lois's named in this biography: Lois Crisler, who died the year prior to publication; Lois Schaefer, wife of Vincent Schaefer; and Lois Darling, who, with her husband Louis, illustrated Silent Spring, at the strong and sustained suggestion of Brooks (a process that gets more attention in Linda Lear's biography of Carson than in this one). We are entertaining the possibility that this copy could be inscribed to Lois Darling (and not to both Lois and Louis as Louis Darling passed away in 1970). In any event: scarce signed. Slight shelf wear, else a fine copy in a very good dust jacket with wear to the spine ends and a long, closed, internally tape-mended edge tear to the front panel. [#035868] $750
$525

NY, Thomas Y. Crowell, (1970). Apparently the first of many biographies of Carson, preceding even Paul Brooks' The House of Life (1972). This volume was published in Crowell's "Women of America" series. Mild splaying to boards; near fine in a very good dust jacket with rubbing and wear to the edges and folds. Uncommon in the first printing, with many copies having gone to libraries. [#035674] $200
$130

Boston, Houghton Mifflin, 1970. The first American edition. Inscribed by Dorst to Claes Nobel: "To Mr. Claes Nobel/ as a tribute to his efforts to save man and nature/ Jean Dorst." Before Nature Dies was first published in French (in Switzerland) in 1965, before being translated into 17 languages: it catalogs man's assaults on nature, by continent, listed in "chronological order of their devastation," beginning with "Yesterday" (pre-Industrial Man) and continuing with "Today" (the 20th century). Dorst was Vice President of the Commission of Protection of Threatened Species of the International Union for Conservation of Nature; one of the founders of the Charles Darwin Foundation for the Galapagos; and President of the 16th International Ornithological Congress. Nobel (grand-nephew of Alfred Nobel) drafted, in 1974, the Nobel Laureates Declaration on the Survival of Mankind, acknowledging that technological advances had contributed to environmental degradation while asking for pledges of conservation, and, in 1985, he authored the Global Declaration of Earth Ethics, attempting to raise standards of environmental stewardship. A fine copy in a very good, lightly rubbed and creased dust jacket, and an excellent association copy. Illustrated with photographs. [#035869] $950
$665

[c. 1990]. Two typescript drafts of Edgerton's fourth novel. One draft is warmly inscribed by Edgerton to Dudley Jahnke "with greatest appreciation for your help in the book business -- and music business -- and all else" and dated "28 March 90." Killer Diller deals with a struggling musician who forms the Killer Diller Blues Band, thus the reference to Jahnke's help with the "music business." Comb-bound in cardstock covers and titled in Edgerton's hand. This draft reproduces a number of the author's changes, which are especially heavy at the beginning of the book. A note in Edgerton's hand on the first page states that "The copy gets cleaner in a few pages." Near fine. The other draft, approximately 250 loose photocopied sheets from a dot matrix printer original, reproduces heavy editing by "SR," with SR's title page. This draft differs substantially from the bound draft, and the opening of the book [at least] is entirely different. Fine. Together with an envelope, hand-addressed by Edgerton to Dudley Jahnke, the recipient of both drafts. The novel, in a form that varies from both drafts above, was published by Algonquin Books in 1991. It was the basis for a limited release film in 2004 which won an award at the Heartland Film Festival. Edgerton, in addition to being a Guggenheim Fellow, has won the North Carolina Award for Literature. An interesting look at a work-in-progress by an important North Carolina author. [#027598] $1,750
$1,313

(Tokyo/NY), Japan Publications, (1985). First-hand experience of the wife of a Los Alamos physicist. Inscribed by the author: "To a writer from a non-writer who tried because she had something to say -- to a friend from you-know-when - Fondly, Phyllis." Near fine in a very good dust jacket. [#035806] $50
$25

(La Jolla), Alti Publishing, (1990). Introduction by Fuentes to this book of Calderwood's aerial photographs of Mexico, featuring dramatic photos of natural landscapes, Mayan and Aztec ruins, modern cityscapes and villages, coastlines and marine formations. Signed by Fuentes. Heavy quarto. Fine in a fine dust jacket. [#035658] $125
$81

Somerset, Chicken House, (2003). Signed by the author. Fine in a fine dust jacket. [#915006] $150
$98

Oxford, Dolphin Book Co., 1975. Copy No. 440 of 1000 copies. 87 poems and three prose works reproduced in facsimile, with transcriptions and notes by Rafael Martinez Nadal. Fine in wrappers, in a fine dust jacket and a lightly rubbed, near fine slipcase. [#035644] $300
$195

(Toronto), HarperCollins, (1997). Second printing. Inscribed by the author to Robert Stone, "with best wishes." A bit of dampstaining to lower spine cloth; near fine in a near fine dust jacket with dampstaining on verso. [#033793] $45
$23

NY, Thomas Y. Crowell, (1960). A specially-bound author's copy. Three quarter leather, raised bands, gilt stamped, marbled endpapers. Probably a unique copy made for Hoagland by the publisher, or one of a couple of copies created by the publisher for the author and publisher -- a somewhat widespread tradition in American publishing in that era. Front cover fully detached, and in need of repair to be functional; leather somewhat mottled. A 1964 newspaper clipping about the 31-year-old Hoagland receiving two literary grants is laid in. From the author's library. [#033460] $450
$293

NY, Ballantine/Del Rey, (1978). The hardcover issue. Fine in a fine dust jacket. [#916291] $150
$98

Providence, Yerrinton, 1827. Theological magazine. Vol. II, No. 22. Staining to covers; very good in wrappers. Note: typo on cover of this issue, where title reads "Hokpinian Magazine." [#600027] $50
$25

Manuscript poem entitled "Subjunctive Tense," but eventually published, with significant changes, as "If We Could Be Brought" (first line). Signed by Ignatow. Undated. Lower corner stain, not affecting text; very good. [#035886] $150
$98

NY, Random House, (1972). His second book, which, like his first, sold about 6000 copies. A touch of sunning to the spine crown; still a fine copy in a fine, price-clipped dust jacket with a hint of shelf wear at the crown. [#911590] $275
$179

NY, Dutton, (1985). Reviews from the mid-1980s: Flashdance, Desperately Seeking Susan, Footloose, Stop Making Sense, The Big Chill, etc. Unmarked, but from the estate of the author. Very faint foxing to the edges of the text block; still fine in a fine dust jacket. [#035357] $40
$20

[Eugene], University of Oregon, 1954-57. Four volumes: Kesey's college yearbooks for his four years at the University of Oregon, where he would later teach a graduate writing course, and where his archive resides. In Oregana '54, Kesey is pictured as a member of Stizer Hall, as a member of the freshman wrestling team, and at the WRA Festival. Rubbing to the edges; very good. Oregana '55 pictures Kesey as a member of Skull and Dagger, in the shadows of a stage production, and as a member of Beta Theta Pi. Some foxing and mustiness; very good. In Oregana '56, Kesey is pictured as a member of the Druids (an organization of the most outstanding men in the junior class); a member of the Order of the O (charged with enforcing campus traditions); a columnist for the Oregon Daily Emerald; a cast member of Macbeth; a member of Beta Theta Pi (a mark on this page reverses the names of two rows of men); and a member of the wrestling team. Minor foxing to covers; near fine. Lastly, his senior yearbook (Oregana '57), shows Kesey as a member of the wrestling team and as a narrator in a "Vodvil" skit. It's uncommon to encounter a complete set of these yearbooks; we've had such a set only once before. A few stains to rear endpages, some rubbing to covers; overall very good. [#032927] $1,750
$1,313

Eugene, Bend in the River Council, (1974). An ambitious project conceived by Kesey (as Co-Director) and others to form a Council to address the major problems facing Oregon (and by extension, the U.S.) in a manner which would expose the issues to the public at large and allow for public input. This is a press kit cum prospectus for the council, including numerous separate pieces, e.g. a copy of a letter to Kesey from the Governor, lauding the project; a two-page set of proposals for the creation of the council and its structure and agenda; two issues of The Bend in the River Reality, a broadsheet newspaper, to which Ken Kesey and Ken Babbs, among others, contribute to Issue 1, the "Special Armory Issue," and the same contributions appear in Issue Number 2, the "Special Coast Issue"; there are two magazine-format issues of The BITR Papers, with different color covers and variant content, some of which overlaps with other items in the lot. The intent of the project was to create an educated, informed "Enlightened Constituency" that would "influence not only the state's politicians, the populace and the industry, but the future course of her sister states as well, and thus help steer this nation through the uncharted waters before us." While it may not be attributable to this particular effort, Oregon has become something of a bellwether for the rest of the region and for the country as a whole; one way or another, the project has in many ways largely come to fruition. All housed in a Bend in the River Council folder. Edge-sunned and musty; very good. Rare. [#031419] $550
$385

[NJ/NY], [Prentice Hall/Henry Holt], [1973-1989]. Four books by Key, beginning with his revelatory volume Subliminal Seduction [Englewood Cliffs: Prentice Hall, 1973], which managed to convince a wide swath of 1970s America that it was being manipulated by sexual words and imagery deviously distributed, including within the images of ice cubes in magazine liquor advertisements, among many other places. From there, Key published Media Sexploitation [Prentice-Hall, 1976]; The Clam-Plate Orgy [Prentice-Hall, 1980]; and The Age of Manipulation [NY: Henry Holt, 1989], all variations on the theme of how the media consciously manipulate consumers' subconscious thoughts and behaviors. The first volume has an introduction by Marshall McLuhan, a colleague and friend of Key. Key's thesis was proposed as a corrective to the primary emphasis placed on Marketing by 20th century business culture -- that is, on the need to persuade consumers to select a given product out of an array of options. If the details he cited as examples were not always correct, there was no question that the use of marketing techniques had often crossed ethical lines and been exploitative, as it often continues to be. The first two titles are price-clipped; Media Sexploitation is very good in a very good dust jacket; the three other titles are near fine in near fine dust jackets. [#035010] $1,200
$900

Eugene, Lone Goose, 1997. One of 16 participant's copies of this limited edition of an essay from Crossing Open Ground, which was later issued in a trade edition by the University of Georgia Press. Here issued with twenty-three 11-3/4" x 11" woodblock images by Robin Eschner, hinged in a continuous presentation almost 22 feet long, encompassing the text. An elaborate production, involving a number of individuals prominent in the book arts, in addition to Lopez and Eschner: Charles Hobson, the designer, whose work is included in the collections of the Whitney Museum and the National Gallery of Art, among others; Sandy Tilcock, the publisher and boxmaker; Susan Acker, the letterpress printer; Nora Pauwells, the relief edition printer; and John DeMerritt, the binder, who is President of the Hand Bookbinders of California. Of a total edition of 66 copies, this is Copy L of 16 lettered copies signed by Lopez and Eschner and including a unique tire-tread print from Lopez's Toyota 4-Runner, the vehicle used in the journey from Oregon to Indiana that is described in the story. Fine, in a clamshell box. [#034702] $3,500
$2,625

NY, Vintage Books, (1973). The uncorrected proof copy of this anthology of poetry by Native Americans, including Eskimos, Hawaiians, Chicanos and Puerto Ricans. Edited and introduced by poet Walter Lowenfels, with additional introductions by Simon Ortiz and Gloria Truvido. Other contributors include James Welch, Joseph Bruchac, Gerald Vizenor, Robert J. Conley, Duane Niatum, Gladys Cardiff, and Besmilr Brigham, among many others. Published as a paperback original, even the first edition is uncommon. An early proof in what became the "Native American Renaissance," presenting a multicultural view of American literature. This copy, though unmarked, is from Lowenfels' estate. Minor edge sunning; near fine in wrappers. [#034642] $200
$130

(NY), Viking, (1990). Signed by the author. Unmarked, but from the library of Robert Stone. Fine in a fine dust jacket. [#033754] $85
$43

NY, Farrar Straus Giroux, (1980). The uncorrected proof copy of this collection of essays on sport, particularly hunting and fishing. Signed by the author. Fine in wrappers. [#911709] $250
$163

NY, Random House, (1984). The uncorrected proof copy. Signed by the author. Fine in wrappers. [#911714] $200
$130

Bloomington, Indiana University Press, (1970). The poet's first book. Inscribed by the author to another poet in the year of publication "with love and best wishes, Sandy." Recipient's handmade bookplate on front flyleaf. Near fine, with various portions of the dust jacket clipped and pasted on the boards and endpages. [#022758] $40
$20

[2005]. Three broadsheets showing the development of advertising material for the documentary by Joe Pacheco about One Ring Zero, the "house band" for the McSweeney's Store in Brooklyn and their collaborations with McSweeney's roster of authors. Readings at the store would be accompanied by One Ring Zero; the band solicited lyrics from the authors and created an album of the resulting songs -- "As Smart as We Are"; and Pacheco made a movie about the process, and created the advertising for a benefit screening. Included here: a 13" x 19" color photo by Pacheco of the postal shelving used by the store, with one odd object per cubbyhole; a second 13" x 19" poster replacing some of those objects with authors and the band One Ring Zero; and a third, finished poster, 11" x 17", replacing some of those authors with text advertising the benefit screening (at 826NYC, as the Store had closed by 2005). Fine. [#032962] $375
$244

NY, Stonehill Publishing, (1976). Swampy Cree Indian narrative poems, translated by Norman, with a preface by poet and translator Jerome Rothenberg, founder of Alcheringa. Winner of the Harold Morton Landon Translation Award from the Academy of American Poets. This is the hardcover issue; there was a simultaneous issue in wrappers. This is also Norman's first book from a regular trade publisher, rather than a small press; two of his later books of fiction were nominated for the National Book Award. Faint spot to top edge and faint sticker removal on front panel of jacket; else fine in a fine, price-clipped dust jacket. [#016779] SOLD

Tucson, Blue Moon Press, 1978. A collection of short stories. Cover photograph by Lee Marmon. Inscribed by the author to a Native American poet "in brotherhood and strength." Near fine in wrappers. An excellent association copy. [#025678] SOLD

NY, Norton, [1998]. Advance reading copy. Near fine in wrappers, with promotional sheet laid in. [#035407] $50
$25

(London), Faber and Faber, (2003). The advance reading copy of his Guardian Prize- and Booker Prize-winning first novel. Extremely slight corner bump; still fine in wrappers. [#024593] $60
$30

Toronto, Knopf, 2002. The first Canadian edition. Fine in a fine dust jacket. [#035467] $40
$20

Denver, 1967. "Washday Detergent." A postcard for a performance of Blue Cheer and Superfine Dandelion in Denver on November 3rd and 4th, 1967. 5" x 7", done by Robert Fried. Art of Rock, #FD D-10. Fine. [#008044] $125
$81

NY, Farrar Straus Giroux, (1987). The uncorrected proof copy. Voted one of the best works of American fiction in a quarter century in a survey conducted by the New York Times Book Review. Of the 22 titles named in that survey, Roth was the author of six of them. Promotional sheet stapled inside the front cover; slight spine-fading, thus near fine in wrappers. [#030383] $150
$98

[Self-Published], 2001. A self-published artist's book, of a story that takes place over the last 91 minutes of one August day in 2001. Text and illustrations by Savage. Signed: "Artist's Proof 2001, CHS" on the final page. Ring-bound, with rubbed acetate covers; else fine. This material inspired a dance piece by Jennifer Chin, although we have found no evidence of its having been formally published nor listings for it in OCLC. [#032676] SOLD

Dublin, Maunsel & Co., 1907. An illustrated Irish Miscellany: originally a literary periodical that ran from 1906-1907, then published in book form. Edited by J.M Hone, and with contributions by W.B. Yeats, Padraic Colum, J.M. Synge, Lord Dunsany, and others. Only 6 copies in OCLC. Backstrip absent, thus a fair copy, and priced accordingly. [#600034] SOLD

(n.p.), Pilot Books, (n.d.). Copy No. 7 of 200 numbered copies of this single poem by Shine, illustrated by Kathranne Knight, and designed, typeset, and handbound by Betsy Wheeler "for the first season of Pilot Books." This copy is inscribed by Shine to Dara [Wier] and Jim [James Tate], "with love and gratitude for your friendship and your poems." A nice association. Accordion style binding, string-bound with a vertical orientation. Very slight corner bends; still fine. Two copies found in OCLC. [#035041] SOLD

NY, Dutton, (1987). A review copy of this collection of poetry. Mild age toning to pages, else fine in a fine dust jacket, with review slip, author photo and promotional pages laid in. [#916868] $100
$65

Boston/NY, Houghton Mifflin, 1997. His first collection of stories, spanning the years 1969 to 1997. Bound galley sheets; 8-1/2" x 11"; tapebound in cardstock covers. Presumably produced for in-house use only; we've never seen any indication of these having been distributed outside the publishing house. Fine. [#008297] $125
$81

[Boston], [Houghton Mifflin], [1974]. The photocopied typescript of Stone's second novel, winner of the National Book Award and one of the best novels to link the impact of the Vietnam war on American society in the Sixties to the dark side of that era -- the official corruption and the underside of the drug experiences of a generation. Bearing the [now crossed out] working title: Skydiver Devoured By Starving Birds. The title appears in a scene in the novel; it also appears in Stone's memoir, in an account of his time working for a tabloid newspaper where the writers were given headlines made up by other writers and had to create stories around them. The one time it appeared in print was in the excerpt from Dog Soldiers that appeared in the newsprint literary magazine, Fiction, in 1973. Stone's piece was called "Starving Birds" and at the end was identified as being from "Skydiver Devoured by Starving Birds." According to a 1987 letter of provenance, this copy of the typescript was generated by the publisher and sent to the Book of the Month Club for early consideration for possible book club adoption. The pages bear, at the bottom, a torn Book of the Month Club filing sticker. 318 pages, plus cover sheet. The cover sheet and the letter of provenance are each signed by Robert Stone. The quality of the paper varies: several sheets have the blue tone of a mimeo. Near fine or better, in the bottom half of a manuscript box and the folding cardstock case of the Book of the Month Club, at this point more artifactual than protective. As far as we can tell, a unique copy of this award-winning novel, the basis for the highly regarded film Who'll Stop the Rain? [#033357] $1,500
$1,125

Cambridge, Leavitt & Peirce, 1958. The hardcover issue of this very early appearance in print by Updike. Harvard alumni commemorate the 75th anniversary of a tobacco store and gathering place; Updike contributes a poem, "The Old Tobacconist." Slight foxing to top edge, else fine in a near fine, orginal glassine dustwrapper. [#030276] $225
$146

NY, Knopf, 1963. His second collection of poems. Inscribed by the author. Fine in a near fine, spine-sunned dust jacket with creasing to the base of the spine. [#912067] $300
$195

NY, Knopf, 1966. The first issue of this collection of stories, with the transposed lines on page 46. Signed by the author. Light splaying to boards; else fine in a near fine dust jacket. [#912072] $300
$195

1986-1987. A collection of letters from Waters, mostly to his literary agent, Joan Daves, as well as related ancillary materials showing Waters at work in the after-market for his writing, with opportunities for later editions and film versions. Waters wrote primarily about the American Southwest, in particular the Native American experience. His father was part Cheyenne. The first typed letter signed is from Waters to his agent, Joan Daves, dated August 24, 1986 and concerns Lesley Ann Warren's interest in optioning the film rights to The Woman at Otowi Crossing and the contract for publication of a hardcover, illustrated edition of The Man Who Killed the Deer. It is stapled to a copy of the contract, with numerous marginal corrections and a retained copy of Daves' reply, agreeing with Waters that the intended publisher (Gibbs Smith) had overreached in the contract. An included exchange between Daves and Gibbs Smith posits a simpler agreement, while a retained carbon shows Daves reaching out to Ohio University Press to confirm they had no claim to hardcover rights. The second typed letter signed is from Waters to Keith Sabin, in Daves' absence, and is dated September 29, 1986 and describes the purchasing history of Flight from Fiesta and the current unwelcome "blitz" he, Waters, is undergoing from Ritz Productions regarding theatrical rights. Waters encloses an initialed copy of the letter he wrote to Ritz Productions redirecting their overtures to Daves upon her return from Europe. Both of these letters are stapled together with retained copies of both Sabin's and Daves' replies, as well as a retained copy of an earlier letter from Sabin to Waters saying they had been approached by Ritz and the initial contact letter from Ritz with an unsigned agreement for Right of First Refusal. Also included is a letter from Fiesta publisher Clark Kimball to Daves recommending the production company. The fourth typed letter signed, from Waters to Daves, dated April 29, 1987, again describes the publishing history of Flight from Fiesta and informs Daves that the publisher, Clark Kimball, has been approached by CBS-Columbia regarding film rights, and he includes Kimball's letter. Attached are the retained copies of letters from Daves to both Waters and Kimball, admonishing all that Kimball has no role in film rights for the title, and a later letter from Kimball acquiesces. The fifth typed letter signed, from Waters to Daves (August 3, 1987), delineates an additional inquiry regarding a film option for Flight from Fiesta and several leads on optioning The Woman at Otowi Crossing should Lesley Ann Warren's option expire. Waters takes Daves to task for not responding to offers already presented, for not keeping him informed, and for being about to depart for Europe leaving him without representation: "I don't like to end our agent-client relationship after so many years, but if the overload of work at this crucial time is too much for you, I don't see any alternative." A copy of a letter to Waters at about this point from Alton Walpole shows one of the interested parties facing obstacles bringing Otowi Crossing to the screen. Also, a letter to Daves from The University of Nevada thanks Daves for sending financials on Ohio University Press's Frank Waters: A Retrospective Anthology (included), but bemoans how infrequent the agent's communiques have become. However, the Daves-Waters agent-client relationship was ongoing in October: in the sixth typed letter signed in this archive, Waters informs Daves of yet another inquiry for Flight from Fiesta and asks her advice about payment on an opportunity he has to write the text for a book of photographs to be published by Arizona Highways (likely Eternal Desert, published in 1990). As mentioned, many of the letters are stapled; most are folded for mailing; in some instances they bear the agency's routing marks or highlighting. The lot as a whole is near fine. [#031770] $1,250
$938

(n.p.), Dreamworks, 2007. The shooting script for the film version of Yates's first novel: the book was published in 1961; the movie was released in 2008. The script was nominated for a BAFTA Award for best adapted screenplay; Haythe's first novel, The Honeymoon, was nominated for the 2004 Booker Prize. This is a May 3rd shooting script with revisions for May 11 and May 16. "Revised" sticker on front. Pink and blue bradbound pages; near fine. [#029373] $375
$244